n this case study, we explore how on-site styling transforms interiors. A recent hotel suite photoshoot demonstrates how small changes—decluttering, arranging furniture, and letting the space breathe—can dramatically improve a room’s presentation. While editing and post-processing help, nothing replaces thoughtful styling during the shoot. This example shows why attention to detail on site is key to capturing spaces at their best.

This photoessay documents the transformation of Farlim through the lens of large-scale infrastructure development. Centred around the Ayer Itam to Tun Dr Lim Chong Eu Expressway Bypass, the images observe how new movement patterns, construction, and everyday life intersect within a long-established town. Rather than predicting outcomes, this visual study reflects on whether these changes quietly signal Farlim’s shifting role within Penang’s urban landscape.

Caught in a traffic jam on the way to Ipoh, an unexpected delay became an opportunity to slow down and observe the Menora Tunnel in ways rarely possible at normal driving speed. What is usually passed through at 90km/h revealed its structure, light, lines, and cinematic moments when movement came to a standstill. This photoessay documents those overlooked details, captured during a quiet hour inside the tunnel.

I’ve finally completed my first print catalogue to make browsing my photographic collections more intentional and considered. It brings together three curated collections, organised by theme, alongside styling guidance and custom frame options. Every image selected is judged not by how clickable it is online, but by whether it deserves to exist as a print — one that can live with space, light, and time. This catalogue reflects how I see photography beyond the screen.

Welcoming the new year, this photo essay brings together a quiet study of lines and patterns found in everyday spaces. Shot entirely on the Huawei Mate X7, the accessibility of a capable phone camera encouraged slower observation and freer experimentation. Without the burden of heavy editing, attention shifted toward form, repetition, and abstraction—images shaped less by intention and more by subconscious response after time spent revisiting and curating the work.

After going through several system changes, here are the curated list of latest camera gears, equipment and technology stuffs that currently suite my production and creative needs.

Why we should print as photographers: discover colour accuracy, true resolution, and the creative value regained when photos leave the screen and become physical.

The First Batch of 12" x 15" Prints is finally ready. This release includes prints on Ilford Gallerie Fineart Textured Silk and semigloss photo paper based on request. Black and white images look deep and rich on the textured silk, while colour photos take on a soft, watercolour-like feel. Semigloss brings out more shine and clarity. Each print comes with a 2" x 4" mat board, bringing the framed size to about 18" x 25".

A sneak peek at collection 3 which is curated for those who want photographs with a stronger sense of story and setting.

“Seeing Wimmelbild” in George Town is about noticing dense, layered moments where every corner of the frame carries meaning. In George Town’s lively streets, this approach turns everyday scenes into rich compositions filled with sub-moments and visual depth. This excerpt explores how resolution, structure, and an anchor subject help transform busy environments into intentional wimmelbild photographs.

The White Wash Project continues to document the rapid whitening of George Town’s heritage buildings, revealing how colour is being stripped away in the name of modernization and commercial appeal. This essay highlights the growing loss of identity, the impact of standardization, and the few examples where careful restoration still protects the city’s original character.

I’m thrilled to share that one of my images was officially licensed and featured on National Geographic Portugal. Seeing my photo published on Nat Geo as their Photo of the Day was surreal — a small milestone that makes me feel like a National Geographic photographer, even if I didn’t trek rainforests or photograph exotic wildlife. It’s a reminder that photography often travels further than you imagine.

Step behind the scenes of my latest BASSBOSS commercial product photography project, where I documented the launch of the towering Sublim8. At nearly three meters tall, this was one of the most challenging and exciting product shoots I’ve handled to date. From planning the lighting to capturing its scale and presence, this project pushed my creativity while showcasing the precision and impact of large-scale commercial product work.

Testing the tokina 28-70mm at Aspen Vision City turned into a full photoessay exploring this legacy zoom on the Canon R5. I share how I discovered the lens, its history, why it still makes sense for video work today, and my real-world findings on image quality, usability, and C-Log3 exposure behavior. A unique blend of hands-on impressions, sample visuals, and surprising discoveries.

Dear client, in every project, communication is key. This client message for you serves as a reminder that great results don’t come from blind estimates or unclear directions. Before engaging a photographer, take a moment to understand your goals, how the visuals will be used, and what you wish to achieve. The more we understand, the better we can produce. A successful collaboration always begins with honesty, clarity, and a shared vision toward creating meaningful work.

Ephemeral Temples is a photo project documenting the temporary prayer tents that appear across George Town, Penang, during the Hungry Ghost Festival. These makeshift structures transform roadsides and alleys into sacred spaces to honour the King of Hades and wandering spirits. The series captures how faith endures through impermanence and how Penang’s multi-racial harmony allows such traditions to flourish.

My recent assignment took me to Perhentian Island for the first time, just before the monsoon season. The trip was a mix of logistics, light packing challenges, and quiet reflection at the airport. Amid the rush, I was reminded how composition often comes from subconscious observation — isolating frames from endless possibilities. This Perhentian Island photography journey was both a creative and personal reminder of why remote assignments are always worth it.

A morning photoessay exploring Gurney Bay Penang, a luxurious waterfront park launched in 2024. Despite its clean design, I struggled with the flat, minimal space and lack of depth. With my Canon 5DSR and TS-E 45mm, I experimented with tilt-shift techniques, framing the waning crescent moon and Venus at dawn. This shoot reminded me how quickly light and clouds shift, and how even quiet places can teach you something new.

Photography often brings me behind the scenes of places I never imagined, and this time it led me into the world of IVF advanced protocol and embryology innovation. I had the honor of documenting a visit from Dr. Marcos Meseguer of Spain and Dr. Robert Fischer of Germany. It was a privilege to witness world-class expertise in such a specialized field and to capture the atmosphere where science and innovation intersect.

I wandered through a George Town morning starting at 6 a.m., when the streets were still wrapped in shadows and faint light. From trishaw silhouettes and a cat’s unbothered stare to glowing shoplots, market rush, quiet prayers, and a massive mango tree, each frame revealed a city slowly waking up. This photoessay isn’t about dramatic scenes but about the delicate play between shadow, light, and Penang’s layered history.