Photographing Around Octopus Pedestrian Bridge remains a returning exercise in observation and perspective. Despite years of shooting here, new angles continue to reveal themselves. This session also marks my first experience with the Thypoch Ksana 21mm f/3.5, documented through two behind-the-scenes videos. A lens that balances modern optical reliability with a subtle vintage character, shaping how the scene is approached and ultimately captured.

A signed Penang Bridge sunrise print, thoughtfully framed to preserve a quiet moment in time. This piece features a 13 × 18 cm semi-gloss photograph set within a 21 × 30 cm frame, finished with a matte board and subtle depth. The warm wooden frame complements modern interiors without overwhelming the space. Captured before the addition of TNB pillars, this image now stands as a rare and timeless view of the bridge in its original form.

Ephemeral Temples is a photo project documenting the temporary prayer tents that appear across George Town, Penang, during the Hungry Ghost Festival. These makeshift structures transform roadsides and alleys into sacred spaces to honour the King of Hades and wandering spirits. The series captures how faith endures through impermanence and how Penang’s multi-racial harmony allows such traditions to flourish.

The newly refurbished Esplanade Penang has quickly become my favourite hangout spot. What makes it special isn’t just the upgrades but how nature has been preserved and seamlessly integrated with the surrounding heritage architecture. In this photoessay, I capture why I believe it’s the most well-preserved part of Penang. I’ve also created a captioned POV-style video under my 1 Minute Behind the Lens series, sharing my thought process during the shoot.

The Fort Cornwallis restoration is bringing new life to one of Penang’s most iconic landmarks. Through my photo essay, I capture the careful heritage work being done on the fort’s walls, gates, and historic spaces. It’s inspiring to witness how conservation can preserve not just architecture but also the stories and culture behind it. I can’t wait to see Fort Cornwallis fully restored and reopened, a heritage site where both locals and visitors can reconnect with history.

Restored heritage buildings in George Town are often painted white. But should preservation mean erasing their original colours?